Still Making Art

Life Gets Better as I Get Older


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Day 16 – Slow Progress

You can see how slow a painter I am. Here it is a week later and this is how little I have managed to do. I don’t paint hours at a stretch. I have to get up and stretch and even go out for a bit of gardening every 20 minutes or so which accounts, I suppose, for the slow-going. But I’m comfortable with how it’s coming along and still love the magic of it all.

Cranberry Candles 4-25-2017

 

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Day 12 – Done and Signed

I’ve finished the painting. I’m calling it Fall Day’s Harvest. I sat with it for a while on Saturday, making tiny adjustments here and there, and then on Sunday morning I signed it. It’s done. I did decide in the end that I liked the background as it was.

It will be weeks before it’s dry and ready to varnish.

fall-days-hrvest-finishedThis is photographed at a slight angle to remove the glare from the overhead light. It measures 14″ x 14″. It took me a while to warm up to this photograph, but now I think this is one of my favorite paintings.

What to do next – that is the question.

 

 


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Day 11 – The End Draws Near

I’ve not photographed recently, so today’s blog shows many days of painting.

moving-right-along-12-18-16

I’ve begun the bottom cloth, and am mostly using a #8 filbert brush. I still resort to my small brush for edges and the like. There’s still a lot to do – shadows need deepening in places etc., but I can see that I’m nearing the end.

Here’s my color checker laminate to date. I still also use my color checker that I built according to Mark Carder’s design at DrawMixPaint. I find the plastic sometimes is too reflective to give me a good view.

my-color-blotches

I’m getting better and better at mixing the correct color and value without having to use the checker.

I expect to finish this this week. While I finish this up I will be thinking of what I will paint next. Usually by this time I would have settled on a subject, and even done the setting up and photographing. Even preparing the canvas. I like to be able to go straight into a new painting without having to do all the prep work. But that won’t happen this time. There’s too much going on this time of year to fit everything I want to do into the time I have.


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Day 6 – Painting Gets A New Life

It is hard to believe I started (and stopped) this blog over four years ago. The good news is, I didn’t stop painting. Life did get very busy, however. I got real job (starving artist and all that). Working six days a week made it very difficult to get into the creative mood. But with a change in schedule a year ago that allowed me three full days off a week, I found I could settle into painting on a regular schedule. Since then I have done little else in my free time, but paint. Oil painting. I made a resolution for 2016 that I would concentrate on and master (to my liking), oil painting.

My first painting for 2016 won third prize out of 196 entries in May 2015 on renoartio.com. This gave me a good boost to keep going. Since then I’ve finished seven other paintings and am on number eight.

I’m working on a website which I hope to have soon.

Life is GOOD!

This is the award winner.

img_6888-copy-for-website

Lily on Pond – Oil on Linen, 40×18

This was painted from a photograph I took of the pond nearby. I had been dreaming about painting this for a number of years. I’m so happy I finally tackled this one.


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Day 5 – A Satisfying Finish

I have been working on an oil painting pretty much every day for weeks now. Prior to starting this project, I moved all my oil painting equipment out to the playhouse. I call it a playhouse because when I first moved up here, I converted the workshop outbuilding into a playhouse within a playhouse for my then young grandchildren. They are grown now, and the two little ones are not up here often enough to warrant leaving the space idle. 

I pretty much just put my stuff where I could, and got cracking.

I pretty much just put my stuff where I could, and got cracking. The Light Box is out-of-the-way at the moment but will need a better spot for ease in moving the light above.

After building my Carder shadow box, I realized that it took up far too much room in my workroom, making working on other projects, if not impossible, uncomfortable. Also, the ventilation in the small workroom was not good for working with oils.

So I moved the shadow box, lamps, and paints out to the playhouse which had become a bit of a storage area. Then I mixed my paints according to the two Carder medium recipes, and began a painting from a photograph I’d taken of my father’s mud room in Scotland.

Paints are mixed and I've begun the painting. There's a printout of the photo I'm painting, up on the wall. I began by painting all the negative spaces.

Paints are mixed and I’ve begun the painting. There’s a printout of the photo I’m painting, up on the wall. I began by painting all the negative spaces. That’s the DrawMixpaint website up on the computer – that’s just for the photo. If I use the computer when I paint, it’s to listen to an audio book. 

I found that my paints for the most part, did stay viable for the many weeks I worked on the painting. Only once did I have to scrape the pallet and remix my greens.

Here’s the finished piece. I’m pretty happy with it.

My Father's Mudroom (unframed)

My Father’s Mud Room (unframed)