I’ve discovered some fabulous oil painting videos on YouTube. I’ve been watching quite a few over the last months, but this is the first video that is not speeded up. The difference is ENORMOUS. I was getting the impression that painting was an exercise in precise intuitive paint throwing.  Seriously, I’ve been trying to paint by magically flicking the brush on the canvas in just the right way to make a perfect stroke – as if what I needed was to develop a better instinct and less left brain activity. But this video shows just exactly how careful one (or he anyway) must be if one is to produce a painting that is realistic. He also teaches so clearly how to get the right tone and value – it’s just awesome how clear it has become. So I recommend all of this fellow’s videos.  His YouTube ID is DrawMixPaint
http://www.youtube.com/watch?feature=player_detailpage&v=sRewRXX7H6s
His website is: http://www.drawmixpaint.com/

I send him a big thank you for making this instruction free for everyone.

And oh yes – he also lists the tools he uses including the brushes. Turns out I’ve been using flat brushes when filbert might be just what I need.
 
And now for something not in oil.
 
After struggling with the little bird painting, I needed a break. So I took several weeks off and shifted to acrylics and made a tape painting – [I’m still catching up to the present day in this blog]. This is my father’s masking tape method. But I work out the design on paper first. My father does his design in his head as he goes.
 
First the whole canvas is covered with the design – in masking tape.

The design in tape is on and painting the background has begun

Then the background is painted.

What a mess! Finding the foreground tape pieces is not easy

After that come a long slow process of removing tape piece by  piece and painting the exposed canvas. Unlike my father, I didn’t use shading in painting the leaves and blossoms, so it looks like a flat fabric design.

Ah…here comes the color

Starting to look like it might be okay

 It’s not a very complex painting but I like it. And it was fun.

Plumbago – 17 x 21- finished and ready to frame

It is only at the end that one knows whether one has a disaster or something pleasing.